Alliance is an exhibition architecture by Office LOG developed with artist Shuang Li for Kim Association, Singapore. The project is organized around a suspended ceiling system held in tension by cables and compressed by film screens, which operate simultaneously as image and structure. Custom PVC-and-ratchet seating completes the temporary infrastructure.

The LOGarithmic Bungalow is a duplex housing prototype incorporating fire-resilient design strategies. The project combines steel framing with compressed earthen block buttressing, inverts the conventional ADU layout to prioritize privacy, and organizes shared space through a sequence of walled gardens.

Office LOG’s Wellness Extension transforms a former pool pergola—converted into a guest house by Billy Haines—into a gym, sauna, and spa organized around a new courtyard that reconnects interior and garden. The existing structure is restored not as nostalgia but as a framework, clarifying Haines’ spatial logic while allowing past and present programs to coexist.

Adapted from artist Olivia Erlanger and architect Luis Ortega Govela's 2019 book Garage (MIT Press), this documentary explores the history of the garage, from its invention by Frank Lloyd Wright to its transformation into an incubator for subcultures and tech entrepreneurship. Filmed on location in Merced, California, the film considers the evolution of this architectural turned cultural construct, exploring how the garage has come to serve as guest room, game room, home gym, wine cellar, and secret bondage lair. This provocative deconstruction employs the garage as a lens through which to view the advent of suburbia, the myth of the perfect family, and the degradation of the American dream.

Office LOG is transforming the historic Gordon Kaufmann designed House into an event space. The design reinterprets the Spanish Colonial Revival style with potent simplicity, engaging the estate’s layered history while collaborating with Native and Mexican artists to reconnect marginalized narratives to the architecture.

Historical relocation of Craig Ellwood's Case Study House 18. The house originally built in 1956 was bought in 2020 and the new owner had plans of demolishing the home that had been extensively renovated in the eighties in a Hollywood Regency Style. The studio salvaged the remaining structural and architectural elements in an archeological process to relocate and reconstruct the historical home. The project is ongoing.

This hillside home is designed for a set of twins, rising naturally with the slope to reveal expanding views through the trees. Inspired by Charles Jencks' Dream Houses of LA, the design playfully integrates California’s eclectic domestic styles while balancing on the fine line of pastiche. The result is a white stuccoed architecture—both fragmented and cohesive—mirroring the embryonic connection of fraternal twins in its evolving floor plan.

Educational mini series directed by Luis Ortega Govela and Olivia Erlanger that distills the book into a three part short series.

The project proposes to turn a detached 1930's garage with an eighties extension into a Wellness Centre for guests. The reconversion integrates both Roman and Turkish programs into the building.

Set design for I LOVE YOU a film by Brooke Candy.

A secret history of the garage as a space of creativity, from its invention by Frank Lloyd Wright to its use by start-ups and garage bands.

The design and spatial direction for Bleach LA, the hair salon and store, is based around the principle of creating a social experience for the patrons. The project focused on the transformation of an existing store front into a space that answers to the contemporary needs of a hair salon. There is a dialogue between the store and the salon that is choreographed with the use of a ramp.

Addition of an existing hillside home to accommodate a new program for an art collector.

This hillside residence, designed for a producer and a documentarian, is Office LOG’s first residential project. The design prioritizes preservation of all existing tree species while extending the original two-bedroom house into a full family home.The architecture is defined by strategic concrete masses that articulate the hillside and establish key spatial moments, mediating between the natural slope and interior program. These solid forms anchor the home in its steep topography, framing views and creating terraces while respecting the landscape’s ecology.Situated within Los Angeles’ long history of hillside development, the project engages with the city’s layered traditions of adaptation and intervention on challenging topographies, offering a contemporary response that balances privacy, landscape, and structural clarity.‍

An exhibition at 83 Pitt Street in New York. The shell of a house is installed inside a flooded gallery. The balloon frame, known as such for both its ability to fly away and to burst, is a historical building technology from the 19th century. The construction method developed during an era of expansion with the aim of being light, portable and most importantly parasitic. Intended to be built by two generations in unison, this frame consisting of nailed studs, went on to propagate and colonise the American suburb.‍

The project is a housing model located in Silicon Valley that takes the typological knowledge of the garage as a way to re-address suburbia and its non-nuclear family subjects.